At this point it’s pretty much a fact that Charlize Theron
can play bad. Whether it be completely transforming her appearance as a serial
killer in “Monster,” or in last year’s “Young Adult,” where she gave a
multilayered performance as a cruel but pathetic overgrown teenager.
With “Snow White and the Huntsman” (Rupert Sanders’ stylish
retelling of the popular fairy tale) Theron plays one of the most famous
baddies, Ravenna, the evil Queen, and manages to give her a considerable amount
of depth because unlike other adaptations, like the classic Disney version, or
even the sugar drenched semi musical kid spectacle, “Mirror Mirror” (which came
out earlier this year), Theron actually portrays Ravenna as being in pain.
No matter how the Snow White story is presented, Ravenna has
always been deeply in pain and insecure. That’s why she’s so evil after all.
Thanks to a magic spell given to her as a child she’s been able to stay young
and pretty for a good while now, but even something involving magic still
requires work. She has to constantly maintain her beauty by absorbing other
young ladies’ beauty. At one point in the film, there are literally five or six
corpses of young women, strewn about her throne room, like scotch bottles in an
alcoholic’s bedroom.
She has to constantly check in with her magic mirror--which
this time appears in the shape of a liquescent golden hooded figure--to make
sure she’s still the “fairest one of all.” But here’s one of the interesting
things about Ravenna, she wants to be young and pretty, yet she doesn’t seem to
like men. In a prolog we see how she makes King Magnus (Snow White’s father)
fall in love with her, only to kill him on their wedding night because she says
that men use women and then throw them away.
She’s a fascinating, fractured character and I don’t think
I’ve seen a more complex depiction before. Theron’s performance is at once
quiet and subtle, and then loud and commanding. She steals the scene every
time, and if the movie had been even more focused on her, then it would be near
great. But of course, since it’s called “Snow White and the Huntsman,” our
story has to be about Snow White and Theron’s performance becomes less and less.
We get Snow White (Kristin Bell) and the Huntsman (Chris
Hemsworth), along with a charming prince, played by Sam Clafin, and the seven
dwarves, played by Ian McShane, Ray Winstone and Toby Jones, among others. And
they all do their thing. You know the story, so there’s no use in going over it.
But compared to Ravenna’s struggles it feels tired and trivial and turns into
one action set piece after another.
Hemsworth, who recently played the hammer wielding, demi god
Thor in “The Avengers,” doesn’t venture far away from that bruiting performance,
except instead of wielding a hammer he wields an ax. Clafin does what he can,
playing a handsome but dull character, the actors who play the dwarves deliver
a few hardy laughs, and Stewart, god bless her, is at least slightly more
expressive than she has been in previous movies (“Twilight”). But she still
gives a dopey, open mouth, exasperated and ultimately unconvincing performance.
I know that by the standards of the story Snow is the fairest one of all but
with Theron in the picture, she shouldn’t be.
To the movie’s credit there are some splendid visual
effects, such as the aforementioned mirror creature, there’s a scene where Snow
ingests some kind of hallucinogenic plant, which causes her to have a bad trip
in the “dark forest,” and later on, Snow and the others come upon an enchanted
forest complete with fairies, baby animals and a white cow-dear creature with
gigantic antlers.
More so, as the movie’s tag line promises, “Snow White and
the Huntsman” is no fairy tale. Everything is grittier, darker and dirtier, as
it should be (even the Disney version was somewhat dark). But all of that
doesn’t matter if the characters and storytelling aren’t strong, and with the
exception of Theron, everything else is underwhelming.
But oh! How wonderful Theron is. She’s a powerhouse, a force
of nature, and she has enough baggage to inspire her own film. However, I’m
still not sure if the rest of “Snow White and the Huntsman” is worth sitting
through.
2/4
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