Besides the fact that it’s the fourth installment in a tired franchise, “Ice Age: Continental
Drift” —directed by Steve Martino and Mike Thurmier—is a terrible, pathetic and
utterly desperate attempt by studios to attract the kiddies to a mid-summer animated
treat. The script by Michael Berg and Jason Fuchs is lazy and sloppily thrown
together, the humor feels forced. The
characters don’t evolve in any way and for all of the “rousing” activity that
takes place during the movie; in the end the story is still incredibly thin and
predictable. Here’s a movie that has no reason to exist beyond trying to make money.
To start off, the set-up feels like it was thought up in
about ten minutes. Manny (Ray Romano), the oafish Woolly Mammoth is happily
living with his family, his wife Ellie (Queen Latifah) and teenage daughter
Peaches (Keke Palmer). Also in the mix are his two friends from the first three
“Ice Age” movies: the dumb, clumsy sloth Sid (John Leguizamo), Diego (Dennis
Leary) the sabre tooth tiger and then there is an assortment of various other
prehistoric creatures like Peaches’ possum friend Ethan (Aubrey Graham).
Everything seems to be going fairly well for the most part
except Manny is having some family issues. Since his daughter is a teenager she
is growing up and is increasingly embarrassed to be around him. Peaches has a
crush on a young wooly mammoth stud but Manny is too protective of her and
doesn’t want her to date. So they get in an argument and—get this—in a fury she
says she “never wants to see him again.” Yep, that’s right. Father-daughter
issues. That’s the epitome of the emotion that “Continental Drift” provides. Oh
yeah, there’s also a scene where Ellie gives Peaches the “don’t ever lose sight
of who you are” speech, followed by Peaches—in an attempt to impress the wooly stud
and the other mammoth teen girls—calling Ethan a freak and pretending not to
know him. Is that really all the writers could come up with?
Anyway, following the feud, the land starts to crack up due
to continental drift. Manny is separated from his family on a small patch of
land that floats off in the water. It just so happens Diego and Sid are also on
the patch of land and this leads them on a wacky adventure—involving ships made
out of icebergs and pirates led by an ape-man-thing—to try and get home.
OK, I can see why Manny is in this movie. He has to come
back to his family and make up with Peaches and learn that your kids will grow
up and blah, blah, blah, but Diego and Sid serve almost no purpose. Diego could
be cut out of the movie entirely and nothing would change. And Sid, well, I
guess he’s just there for comic relief. During the journey he messes a lot of
stuff up. Other than that though, I think they’re mostly just there for brand
reasons.
The other thing that bothered me the most about “Ice Age” is
that Martino and Thurmier don’t have enough faith in their main characters to
move the story along and provide enough laughter. So they throw in little comic
diversions every which way in a pitiful attempt to suck up the laughs and add
more fat to the plot. Like Sid’s old, senile grandmother played by Wanda Sykes,
or at one point the gang encounters an island filled with an army of cute little
squirrel creatures who do “Braveheart” impressions. Worst of all is the
nervous, twitchy squirrel named Scrat, who’s been in every film and who’s
always on a constant crusade to find acorns but somehow gets screwed over. The
character adds nothing to central story, beyond even more comic relief. If
Martino and Thurmier really wanted to keep beating this long dead horse then they
would have been better off putting him at the beginning, giving him his own
little film. But instead he shows up throughout, interfering with the story.
Based on the successes of the last three “Ice Age” movies
(that’s why they’ve made a fourth one after all) I wouldn’t be surprised if
this one made a lot of money too. It has bright colors and goofy looking characters
with funny voices that should keep little kids mildly entertained. But I really
hope it doesn’t.
1/4
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